The citizens of Gotham also show a bit of gumption. He never, ever kills, and he rigidly keeps this special vow even when the Joker more than deserves death. The most heroic guy of the bunch (go figure) is Batman himself, willing to sacrifice everything that’s precious to him for the sake of the city. “Spying on 30 million people isn’t in my job description,” he says-though he acquiesces to use it for one specialized mission. When the Dark Knight creates a gigantic sonar net by tapping into all of Gotham’s cell phones (a hefty invasion of privacy), Fox tells him that either the machine goes or he does. But while he’s willing to cook the books to keep Batman’s identity a secret, there are ethical places he won’t go-at least not for very long. Lucius Fox, head honcho at Wayne Enterprises, continues to play Q to Batman’s Bond, keeping him supplied with a host of critical gizmos and gadgets. Gordon, once Gotham’s only honest police officer, has a wee bit of company nowadays, but he’s still arguably the film’s finest, prepared to sacrifice his own life for both his city and family. Dent even sacrifices his career and good name at one point to keep Batman out on the streets-a favor Batman returns. One might say Dent and Batman are two sides of the same coin, Dent the unsullied face of incorruptibility and Batman the black-caped heavy. “Gotham needs a hero with a face,” Wayne says. Though there are ever-so-slight indications that he’s not altogether wonderful (the boys at the station call him “Two Face”), he’s sincere about his crime-fighting calling-a sincerity that wins over even billionaire-celebutant Bruce Wayne. But it’s when they refuse to compromise that the movie soars.ĭent starts as a bright knight-a blond, bold DA who aims to clean up Gotham’s streets for good. “You either die a hero or live long enough to see yourself become the villain,” says Dent. It’s a pesky truism our heroes struggle with from the get-go. “You got rules!” a broken mob boss tells Batman. But at its most basic, the question it poses is this: To what lengths do good people go in order to conquer the worst sort of evil? Must they become a little evil themselves along the way? The Dark Knight is a complex film with a myriad of messages. So begins perhaps the deepest, bleakest summer blockbuster ever, an explosion-riddled saga about order and anarchy, about good and evil, and about the line we draw between the two. “If you’re good at something,” the Joker wheezes, “you never do it for free.” What does he ask for? Half the mob’s money. He crashes a high-level mob meeting and offers his services as the city’s very own bat exterminator. Then-like the flu, like a hailstorm, like a crowbar to the side of the head-comes the Joker. What? A city where crime kingpins are afraid of the dark? Mob bosses stopped meeting at night, afraid they’d be pinched. Batman prowled the city’s darkest alleys. Harvey Dent, a new and fearless district attorney, stalked the courtrooms. Gordon, was squeezing the city’s crime syndicates. Gotham’s finest, led by straight-arrow Lt. And sometimes trouble comes a callin’, all on its own.įor a while, it seemed as though life in Gotham City was looking up. I'm sure his dirty tactics would work just as well on the naive Kick-Ass.Ĭomparing the comic versions would make this a curb stomp battle, really.Sometimes folks look for trouble. The Joker overall seems like a really good street fighter who knows that moving backwards is an option. He knows how to fight instinctively with a knife better than Kick-Ass can use two batons, and he can take a beating from Batman and still laugh (the closest comparison to make with Kick-Ass getting tortured). Idk, it's The Joker) that he's experienced some traumatic physical pain as well. The Joker's experience from the movie isn't much either, but we can tell from his scars (if they're real scars that is. He wasn't really displaying proper technique either. His fight with Red Mist? It's a double KO with a kid who didn't know how to fight with a bokken. The three thugs who were beating up on him and the random stranger? They left because they heard sirens. It's apparent when you realize how many fight scenes he gets and the sheer lack of control he really had. The Joker's character wasn't as direct in the choreography, and knives still work on a person who has "fucked up nerve endings". The thing about the guys he wailed on and the guys who wailed on him is that they actually jump into the fight.
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